After a career as a graphic designer, I met clay, then raku in 1995, a firing technique of Japanese origin that I have continued to practice since then in many variations.
For several years I have been working on form and movement, the weight and breathing of the material, its skin and the influence of light on the perception of form.
My work is nourished by a corporal practice and a research around the body, meetings around the artist's book and writing, exchanges and transmission by workshops of artistic practice. It is currently materialized by open or closed volumes, plates and artist's books.
Source: HIT Aveyron (ADAT Aveyron)
Copyright: Creative Commons CC BY 2.0
Address: Saint-Maurice de Sorgues, 12540 Fondamente
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