Source: Willem Vandenameele
Il ritratto empatico di Antonio Ugo del famoso compositore Giuseppe Verdi si pone quasi come un mecenate dell'opera palermitana.
Verdi si erge intrigante e orgoglioso nella sua apparente sfilata sul fianco sinistro del pronao esastilo (nei templi antichi questo è lo spazio antistante la cella preceduta da colonne) del Teatro Massimo di Basile.
Basile compose il piccolo monumento marmoreo secondo una rigorosa verticalità simmetrica in cui risalta l'euritmico elemento fitomorfo della foglia di palma a lunga foglia , da cui si diramano due file di nastri a ventaglio, caratterizzati dal pieno rispetto formale del lessico floreale basiliano.
Source: Willem Vandenameele
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Source: Willem Vandenameele
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Source: Willem Vandenameele
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